Since
1996, OrchiadOrio composes for her master instrument.
1996:
first recital, in composite styles, for all tastes and every publics, signed
however of one label and of a stable emotional thread. From 2001, creations are
showing a very personal, identifiable style. Having endowed with a strong
imaginary, emotional and sensitive evocation, its world is compared, in potency,
with the biggest: Gabriel Yared, Scriabine, Morriconne and Debussy... The
sensual, deep, rich and definite, existent touch of a solid Russian technique of
piano, serves the vocation of this music ideally: to recall the original strengh
that underlies the evolution of Creation and Human Being, Love. The
fullness of this music showed itself in the Spiritual Hymn (2005). The CD
album "Chi va piano solo...", in preparation, asserts the vibration and
the maturity.
Several
programs together writings for piano of OrchiadOrio are so offered.
CD albums
:
- "Fairies", piano works 1996.
Composed
in 13 days, in April, 1996, this album introduces various styles: baroque,
romantic, Spanish, impressionist, spontaneous, and chivalrous. This various and
balanced recital, in the writings of approachable length (3mn15 on average) is
both suitable for the
informed music lovers and for a public layman. 1h15mn of classical music rich in
emotional range, served by the sensitive and deep touch of Russian piano
technique. These compositions of OrchiadOrio are sometimes in concert compared
with known compositors (Ravel, Debussy, Rameau, Falla, Prokofiev and Brahms), so
put in nice obviousness.
See
Order and
Musical extracts.
"Fairies",
23 titles
:
Classical Concerto (Allegro – Largo - Presto Appassionnato)
Sonate alla Scarlatti
Suite Attempts (Wait – Hope – To the Elected)
The Iberian Hour I – II – III
Bright
The Sea
Spontaneus Compositions (The small gremlin of Beaupuy –
Fanfan
the nice small lead soldier – Cake Walk)
Plays extracted from yhe "Tarot of the Rose"
(The Empress –Soberness – The Demon – The Star)
Suite " Crusade "
(Step in the desert – The Call – The Tomb – Crusades)
Their
style is personal, asserted and very emotional: a kind of romantic
impressionism. The last compositions, for some inspired by mineral, have a
strong capacity of evocation of pictures, feelings. They suit ideally for the
concert, relaxation and the music of film. They attained their summit of
expression by accompanying the light shadows of the "Spiritual Hymn". Under the
deep and sensual touch of the Russian technique of piano, tempi became slower.
The dream, magic and Love are omnipresent.
Possible to add voice or
cello in concert.